When you normalize to a peak value, you can specify the level to which the maximum detected sample value will be set. A constant gain is applied to the selection to raise the peak to this level.

  1. From the Process menu, choose Normalize.

  2. Click the Peak level radio button.

  3. Click the Scan Levels button.

Sound Forge Pro note NormalizeWhen previewing, the entire file must be scanned — even when previewing a small selection. Clicking the Scan Levels button stores the current Peak and RMS values. This allows you to preview different Normalize to level settings without rescanning the entire file.

  1. Drag the Normalize to fader to specify the level to which the highest peak should be set.

  2. Click the OK button.

When you normalize using average RMS level, the average RMS value of the sound file is raised to a value you specify. This is helpful for matching the apparent loudness of different recordings.

  1. From the Process menu, choose Normalize.

  2. Click the Average RMS level radio button.

  3. Click the Scan Levels button.

Sound Forge Pro note NormalizeWhen previewing, the entire file must be scanned — even when previewing a small selection. Clicking the Scan Levels button stores the current Peak and RMS values. This allows you to preview different Normalize to level settings without rescanning the entire file.

  1. Drag the Normalize to fader to specify the new average RMS level for the selection.

Sound Forge Pro note NormalizeWhen using RMS levels, set the Normalize to fader to -6 dB or less. Normalizing to 0 dB boosts the signal so that it has the same apparent loudness as a 0 dB square wave (which is incredibly loud). If you were to do so, all of the dynamic range of the signal would be squashed and all the peaks would either be clipped or seriously compressed. Normalizing a peak to 0 dB is OK, but normalizing RMS to anything above -6 dB can compromise sound quality.

  1. Adjust scan settings:

Item

Description

Ignore below

Drag the fader to determine the level of material you want to include in the RMS calculation. Any sound material below the threshold will be ignored in the calculation. This is useful to eliminate any silent sections from the RMS calculation. You should set this parameter a few dB above what you consider to be silence.

If you set this value to minus infinity, all sound data will be used. If the value is set too high (above -10 dB), there is a good chance that the RMS value is always below the threshold. In this case, no normalization will occur. Therefore, it is good to test the threshold by using the Scan Levels button.

Attack time

Specify how quickly the scan should respond to transient peaks in the sound file. A slower attack time will tend to ignore fast-peaking material.

Release time

Specify how quickly the scan should stop using transient peak material after it has begun to drop in level. A slower release time will increase the amount of material included in the RMS calculation.

Use equal loudness contour

Select this check box if you want the RMS calculation to compensate for high- and low-frequency audio. Very low and high frequencies are less audible than mid-range frequencies.

  1. Select an option from the If clipping occurs drop-down list:

Item

Description

Apply dynamic compression

Any peaks that would clip are limited to below 0 dB using nonzero attack and release times to minimize distortion. In other words, a time-varying gain is used to ensure that no hard clipping occurs.

This option is useful for getting very loud, yet clear sound during the mastering process.

Normalize peak value to 0 dB

The selection’s peak amplitude level is normalized to 0 dB. This applies the maximum possible constant gain that doesn’t clip to the selection. Less gain is applied than would be necessary to achieve the Normalize to RMS level.

Ignore (saturate)

Sound data is allowed to clip. Use this option only if the clipping samples are very short and infrequent.

Stop processing

Any sound data that would clip causes the Normalize function to stop processing and display a notification.

  1.  Click the OK button.

  1. Select the data you want to use to normalize your data.

  2. From the Process menu, choose Normalize.

  3. Click the Scan Levels button.

  4. Close the Normalize dialog.

  5. Select the data you want to normalize.

  6. From the Process menu, choose Normalize.

  7. Select the Use current scan level check box.

  8. Click the OK button. The selection is normalized to the level displayed in the Peak or RMS fields without rescanning.

Normalizing Audio

Process Menu

From the Process menu, choose Normalize to raise the volume of a selection so that the highest sample level reaches a user-defined level. Use normalization to ensure you are using all of the dynamic range available to you without clipping.

Sound Forge Pro note NormalizeWhen normalizing multichannel data, normalization is computed on the loudest sample value found in any selected channel and the same gain is applied to all selected channels. If a single channel is selected, normalization will affect only that channel.

Sound Forge Pro tip NormalizeWhen you convert files to a compressed format such as MP3, peaks that are at or near 0 dB may be clipped by the compression process. Consider normalizing first to reduce the possibility of clipped peaks (normalizing to a peak level of -0.9 dB is a good starting point).

For more information about using processing dialog controls, click here.


What do you want to do?

Sound Forge Pro arrowdn Normalize Normalize using a peak value

Sound Forge Pro arrowdn Normalize Normalize using average RMS level

Sound Forge Pro arrowdn Normalize Normalize using levels from another selection or file

Sound Forge Pro btnshowall Normalize

Normalize